| 000 -LEADER |
|---|
| fixed length control field |
01964cam a2200229 a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
14304255 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20221120033137.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
060317s2006 enk b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780854881482 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
arter |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
027 |
| Item number |
ARC 2006 |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The archive / |
| Statement of responsibility, etc. |
edited by Charles Merewether. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
London : |
| Name of publisher, distributor, etc. |
Whitechapel ; |
| Place of publication, distribution, etc. |
Cambridge, Mass. : |
| Name of publisher, distributor, etc. |
MIT Press, |
| Date of publication, distribution, etc. |
2006. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Documents of contemporary art |
| 500 ## - GENERAL NOTE |
|---|
| General note |
The significance of the archive in modernity and in contemporary art; writings by Sigmund Freud, Michel Foucault, Hal Foster, and others, and essays on the archival practice of such artists as Gerhard Richter, Christian Boltanski, Renée Green, and The Atlas Group.<br/><br/>In the modern era, the archive—official or personal—has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive—no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself.<br/><br/>This volume surveys the full diversity of our transformed theoretical and critical notions of the archive—as idea and as physical presence—from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Archives. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art archives. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Archival resources. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Museums |
| General subdivision |
Collection management. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
