The brutish museums : (Record no. 10603)

000 -LEADER
fixed length control field 02651nam a22001817a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 211207b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780745346229
040 ## - CATALOGING SOURCE
Transcribing agency arter
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title Ingilizce
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 069 HIC
Item number 2021
100 ## - MAIN ENTRY--PERSONAL NAME
9 (RLIN) 1722
Personal name Hicks, Dan
245 ## - TITLE STATEMENT
Title The brutish museums :
Remainder of title the benin bronzes, colonial violence and cultural restitution /
Statement of responsibility, etc. Dan Hicks
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London :
Name of publisher, distributor, etc. Pluto Press ,
Date of publication, distribution, etc. 2021.
500 ## - GENERAL NOTE
General note Walk into any Western museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen.<br/>Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections.<br/>The Brutish Museums sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. Since its first publication, museums across the western world have begun to return their Bronzes to Nigeria, heralding a new era in the way we understand the collections of empire we once took for granted.
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note List of Plates<br/>Preface<br/>Preface to the Paperback Edition<br/>1. The Gun That Shoots Twice<br/>2. A Theory of Taking<br/>3. Necrography<br/>4. White Projection<br/>5. World War Zero<br/>6. Corporate-Militarist Colonialism<br/>7. War on Terror<br/>8. The Benin-Niger-Soudan Expedition<br/>9. The Sacking of Benin City<br/>10. Democide<br/>11. Iconoclasm<br/>12. Looting<br/>13. Necrology<br/>14. ‘The Museum of Weapons, etc.’<br/>15. Chronopolitics<br/>16. A Declaration of War<br/>17. A Negative Moment<br/>18. Ten Thousand Unfinished Events<br/>Afterword: A Decade of Returns<br/>Appendix 1: Provisional List of the Worldwide Locations Of Benin Plaques Looted in 1897<br/>Appendix 2: Provenance of Benin Objects in the Pitt Rivers Museum, Oxford (the ‘First Collection’)<br/>Appendix 3: Sources of Benin Objects in the Former Pitt-Rivers Museum, Farnham (the ‘Second Collection’)<br/>Appendix 4: Current Location of Benin Objects Previously in the Pitt-Rivers Museum at Farnham (the ‘Second Collection’)<br/>Appendix 5: A Provisional List of Museums, Galleries and Collections that May Currently Hold Objects Looted from Benin City in 1897<br/>Notes<br/>References<br/>Index
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
9 (RLIN) 1710
Topical term or geographic name entry element Museums
General subdivision Acquisitions
-- Case studies
-- Moral and ethical aspects
Geographic subdivision Europe
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Full call number Barcode Date last seen Price effective from Koha item type
          Arter Kütüphanesi Arter Kütüphanesi Arter Kütüphanesi 2021-12-07 069 HIC 2021 105867 2021-12-28 2021-12-07 Books

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