Concept Context Contestation : (Record no. 1289)
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000 -LEADER | |
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fixed length control field | 03039 a2200169 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 191006b ||||| |||| 00| 0 eng d |
040 ## - CATALOGING SOURCE | |
Transcribing agency | arter |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | Ingilizce |
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) | |
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) | ARS6 5 |
245 ## - TITLE STATEMENT | |
Title | Concept Context Contestation : |
Remainder of title | Art And The Collective in Southeast Asia |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Name of publisher, distributor, etc. | bacc exhibition, |
-- | Bangkok Art and Culture Centre |
500 ## - GENERAL NOTE | |
General note | 'Assembling over 60 contemporary works from eight Southeast Asian countries, Concept Context Contestation charts the art of three generations from the 1970s until today. Commissioned by Bangkok Art and Culture Centre, and curated by Iola Lenzi (Singapore), Agung Hujatnikajennong (Indonesia) and Vipash Purichanont (Thailand), the exhibition instigates cross-national and cross-generational expressive dialogues to reveal the region's deployment of conceptual approaches in the making of art with social purpose. Including media and artistic genres of all types, the exhibition further uncovers the cross-disciplinary nature of regional contemporary art. Finally, exposing artists' predilection for interactive strategies that stimulate public engagement with real issues, Concept Context Contestation illustrates the way in which Southeast Asian contemporary art meshes with life.' - from the back cover |
500 ## - GENERAL NOTE | |
General note | ARTISTAlwin REAMILLO, Amanda HENG, 王良吟, Arahmaiani, Aung KO, Aung Myint, Bùi Công Khánh, Chalood NIMSAMER, Eko NUGROHO, Elmer BORLONGAN, F. X. HARSONO, Goldie POBLADOR, Imelda CAJIPE-ENDAYA, LEE Wen, 李文, Manit SRIWANICHPOOM, มานิต ศรีวานิชภูมิ, Michael SHAOWANASAI, ไมเคิล เชาวนาศัย, Moe Satt, Moelyono, Nge Lay, NGUYEN Van Cuong, Orawan ARUNRAK, Paphonsak LA-OR, Pistakun KUNTALANG, Popok Tri Wahyudi, Prapat JIWARANGSAN, Roslisham ISMAIL, Ruang MES 56, Simryn GILL, Sutee KUNAVICHAYANONT, สุธี คุณาวิชยานนท์, TANG Munkit, Taring Padi, Thao Nguyen Phan, Tintin WULIA, Tisna Sanjaya, Tulapop SAENJAREON, Tung Mai, Vandy RATTANA, Vasan SITTHIKET, วสันต์ สิทธิเขตต์, VU Dan Tan, WONG Hoycheong, 黃海昌 |
505 ## - FORMATTED CONTENTS NOTE | |
Formatted contents note | Conceptual Strategies in Southeast Asian Art: A Local Narrative- Iola LENZI<br/>Trajectories/Contingencies: Indonesian Contemporary Art and the Regional Context- Agung HUJATNIKAJENNONG<br/>Contesting Communities- Vipash PURICHANONT<br/>Navigating Community: Making Space to Tend to the One and the Many- Eileen LEGASPI-RAMIREZ<br/>Homegrown: The Origins of Performance Art in Myanmar- Nathalie JOHNSTON<br/>Beyond Markets: The New Zeitgeist of Indonesian Art- Paul KHOO<br/>On Collectives<br/>Project 304: An Alternative Contemporary Art Space- Anothai OUPKUM<br/>The Search for Stable Ground in Indonesia's Art Scene- Mella JAARSMA<br/>Salon Natasha: Opposing the Sanctioned Mainstream- Natasha KRAEVSKAIA<br/>The Artist Village and the Birth of Contemporary Art in Singapore: Koh Nguang How in Conversation with Iola Lenzi- KOH Nguanghow, 許元豪 |
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME | |
Personal name | Iola Lenzi, Agung Hujatnikajennong, Vipash Purichanont |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | |
Koha item type | Catalogue |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Permanent Location | Current Location | Shelving location | Date acquired | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Arter Kütüphanesi | 5.ve 6.Kat | 5. ve 6. Kat | 2019-07-09 | ARS6 3 | 300161 | 2019-07-09 | 2019-07-09 | Catalogue |