| 000 -LEADER |
|---|
| fixed length control field |
02215nam a22002177a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
240209b ||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780520383418 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
arter |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
Ingilizce |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
709.561 |
| Item number |
SMI 2022 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
2203 |
| Personal name |
Smith, Sarah-Neel |
| 245 ## - TITLE STATEMENT |
|---|
| Title |
Metrics of modernity : |
| Remainder of title |
art and development in postwar Turkey / |
| Statement of responsibility, etc. |
Sarah-Neel Smith |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
California : |
| Name of publisher, distributor, etc. |
University of California Press , |
| Date of publication, distribution, etc. |
2022. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
In this vivid portrait of the art world of 1950s Turkey, Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.<br/><br/>After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.<br/><br/>Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Introduction : art and development : a new framework for postwar art<br/>The semiperipheral art gallery : Gallery Maya, Istanbul<br/>Democratic abstractions : Bülent Ecevit on art and politics<br/>"The first coup in the Turkish art world" : the Developing Turkey competition of 1954<br/>The artist as agent of development : Füreya Koral between Turkey and the United States, 1955-1958<br/>Conclusion : building Istanbul modern : art and development in a twenty-first-century museum<br/> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
110 |
| Topical term or geographic name entry element |
Sanat |
| General subdivision |
Modern |
| -- |
Türkiye |
| -- |
20. yüzyıl |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
2205 |
| Topical term or geographic name entry element |
Ekonomik gelişme |
| Chronological subdivision |
20. yüzyıl |
| Geographic subdivision |
Türkiye |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
1560 |
| Topical term or geographic name entry element |
Art |
| General subdivision |
Modern |
| Form subdivision |
20th century |
| Geographic subdivision |
Turkey |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
2206 |
| Topical term or geographic name entry element |
Economic development |
| Chronological subdivision |
20th century |
| Geographic subdivision |
Turkey |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
