| 000 -LEADER |
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| fixed length control field |
01376 a2200145 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210402b ||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
arter |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
Ingilizce |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
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| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
ARS6 8 |
| 245 ## - TITLE STATEMENT |
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| Title |
Television and Disaster 1964 - 1966 : |
| Remainder of title |
Vija Celmins / |
| Statement of responsibility, etc. |
Franklin Sirmans, Michelle White |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Name of publisher, distributor, etc. |
Menil Foundation Inc. |
| 500 ## - GENERAL NOTE |
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| General note |
13 March - 5 June 2011 |
| 500 ## - GENERAL NOTE |
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| General note |
American artist Vija Celmins (b. 1938) is widely admired and respected for her sublime images of night skies and ocean waves. Vija Celmins: Television and Disaster, 1964-1966 looks closely at Celmins's early work, which is deeply engaged with the Pop Art scene of 1960s Los Angeles. The authors argue convincingly for a better understanding of this body of work, which is not well known by contemporary audiences, both within Celmins's overall career, and as part of the complicated historical context in which she was working.<br/><br/>The book illustrates Celmins's work from the mid-1960s. These paintings and sculptures of war planes, smoking guns, and other representations of death and disaster were informed by images found in books and magazines. Also reflecting the moment when print began to give way to television, as well as the impact of the first televised war, they are creative interpretations of a world destabilized by the turmoil of war and domestic political conflicts. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
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| Koha item type |
Catalogue |
