| 000 -LEADER |
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| fixed length control field |
01324 a2200145 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210409b ||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
arter |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
Ingilizce |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (RLIN) |
|---|
| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
ARS6 19 |
| 245 ## - TITLE STATEMENT |
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| Title |
Alienation / |
| Statement of responsibility, etc. |
curated by Mandy Merzaban |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Name of publisher, distributor, etc. |
Barjeel Art Foundation |
| 500 ## - GENERAL NOTE |
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| General note |
Alienation, a state of being detached or estranged, can refer to how people are excluded or marginalised due to barriers in language, culture, religion, social disposition, sexuality or political views. That which is familiar to a mainstream of a society is valued while elements regarded as foreign or “alien” are treated with suspicion.<br/><br/>The consequences of these barriers take shape in various contexts, including ties between nations and ideological clashes between individuals. As authorities make decisions to draw borders and stipulate regulations and rights in the foreground, alienation seeps into the background and can be viewed in the individual stories of people affected by it.<br/><br/>Works in this exhibition highlight how alienation is manifested in scenarios as diverse as geopolitical relations and personal daily experiences. The works investigate the banalities of immigration processes, as well as ideas of national identity, urbanisation and the human condition. |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Mandy Merzaban |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
Catalogue |
