000 -LEADER |
fixed length control field |
02768cam a22002537i 4500 |
001 - CONTROL NUMBER |
control field |
19049223 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20191203075037.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
160401s2016 gw a b 000 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9783956790072 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)ocn939712035 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDXCP |
Language of cataloging |
eng |
Transcribing agency |
YDXCP |
Description conventions |
rda |
Modifying agency |
OHX |
-- |
JPG |
-- |
OCLCF |
-- |
NGA |
-- |
ZCU |
-- |
VVPCS |
-- |
TXI |
-- |
CHVBK |
-- |
OCLCO |
-- |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
lccopycat |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
ND |
Source |
lcco |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
759 |
Item number |
GRA 2016 |
245 00 - TITLE STATEMENT |
Title |
Painting beyond itself : |
Remainder of title |
the medium in the post-medium condition / |
Statement of responsibility, etc. |
edited by Isabelle Gra, Ewa Lajer-Burcharth |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Berlin : |
Name of producer, publisher, distributor, manufacturer |
Sternberg Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2016] |
500 ## - GENERAL NOTE |
General note |
"Based on a conference at Harvard University in 2013"--P. 4 of cover. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Marking, scoring, storing, and speculating (on time) / |
Statement of responsibility |
David Joselit -- |
Title |
Scenes of instruction / |
Statement of responsibility |
Ewa Lajer-Burcharth -- |
Title |
Beyond, beyond! Two years after the conference / |
Statement of responsibility |
Jutta Koether -- |
Title |
Modern color: a new paradigm / |
Statement of responsibility |
Jacqueline Lichtenstein -- |
Title |
The value of liveliness: painting as an index of agency in the new economy / |
Statement of responsibility |
Isabelle Graw -- |
Title |
On color / |
Statement of responsibility |
Amy Sillman -- |
Title |
Welcome to the second day / |
Statement of responsibility |
Isabelle Graw -- |
Title |
Painting photography painting: timelines and medium specificities / |
Statement of responsibility |
Carol Armstrong -- |
Title |
Rehearsing in/with media: some remarks on the relationship between dance, film and painting / |
Statement of responsibility |
Sabeth Buchmann -- |
Title |
Thread, pixel, grain / |
Statement of responsibility |
Matt Saunders -- |
Title |
Body and soul: about the practice of painting in France (1660-1770) / |
Statement of responsibility |
René Démoris -- |
Title |
A nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / |
Statement of responsibility |
Benjamin H.D. Buchloh -- |
Title |
Notes on painting / |
Statement of responsibility |
Julie Mehretu. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
New from the ongoing publication series from the Academy of Fine Arts Vienna, Pink Labor addresses the crossover of form and politics in visual representations of gender, sexuality and desire. Contradictory standpoints of queer art practices, conceptions of the body, and ideas of queer abstraction, a term coined by USC gender studies professor Judith Jack Halberstam, are of particular interest in several essays on artworks and art practices in this substantial illustrated reader. In addition to testimonials from queer performers on the topic of drag, the book includes interviews, essays, collages and personal writings. Placing contemporary art practices in historical perspective and revising the perceived divergence between artistic attitudes and formal approach, this publication offers refreshingly diverse and thought-provoking points of view. Contributors include artists, film and art historians, theorists, critics, curators, scholars, filmmakers and writers from Berlin, New York, Warsaw, Beirut, Vienna, Chicago, Los Angeles and Prague. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Painting |
General subdivision |
History. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |