Mary Kelly / (Record no. 8919)

000 -LEADER
fixed length control field 02448aam a2200229 i 4500
001 - CONTROL NUMBER
control field 018038512
003 - CONTROL NUMBER IDENTIFIER
control field Uk
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200920031756.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 160106s2016 mau 001 0 eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262034784
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262529327
040 ## - CATALOGING SOURCE
Original cataloging agency StDuBDS
Language of cataloging eng
Transcribing agency StDuBDS
Modifying agency Uk
Description conventions rda
042 ## - AUTHENTICATION CODE
Authentication code ukblsr
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 709.2
Item number KEL 2016
100 ## - MAIN ENTRY--PERSONAL NAME
9 (RLIN) 1363
Personal name Kelly, Mary
245 00 - TITLE STATEMENT
Title Mary Kelly /
Statement of responsibility, etc. edited by Mignon Nixon.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cambridge, Massachusetts :
Name of producer, publisher, distributor, manufacturer The MIT Press,
Date of production, publication, distribution, manufacture, or copyright notice [2016].
490 0# - SERIES STATEMENT
Series statement October files 20
500 ## - GENERAL NOTE
General note Essays and interviews that span Mary Kelly's career highlight the artist's sustained engagement with feminism and feminist history. When Mary Kelly's best-known work, Post-Partum Document (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation-an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations of feminists. The contributions also consider such specific works as Kelly's Interim (1984-1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200-foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005-2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace. Essays and Interviews by Parveen Adams, Emily Apter, Rosalyn Deutsche, Hal Foster, Margaret Iversen, Mary Kelly, Helen Molesworth, Laura Mulvey, Mignon Nixon, Griselda Pollock, Paul Smith
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Feminism and art.
General subdivision Sanatçılar
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Full call number Barcode Date last seen Price effective from Koha item type
          Arter Kütüphanesi Arter Kütüphanesi Arter Kütüphanesi 2020-09-20 709.2 KEL 2016 104886 2021-12-28 2020-09-20 Books

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