| 000 -LEADER |
|---|
| fixed length control field |
01666pam a2200205 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
017554626 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
Uk |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20210107054931.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
150904s2015 gw a |0|0|0|eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9783775740562 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
StDuBDS |
| Language of cataloging |
eng |
| Transcribing agency |
StDuBDS |
| Modifying agency |
Uk |
| Description conventions |
rda |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
709.2 |
| Item number |
SCH 2015 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Schnabel, Julian, |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
C.V.J. : |
| Remainder of title |
nicknames of maitre d's & other excerpts from life / |
| Statement of responsibility, etc. |
Julian Schnabel ; editor, Petra Giloy-Hirtz |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Ostfildern, Germany : |
| Name of producer, publisher, distributor, manufacturer |
Hatje Cantz, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2015] |
| 500 ## - GENERAL NOTE |
|---|
| General note |
At thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, CVJ, and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the Plate Paintings with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with dirt and cracks and objets trouvés that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Artists |
| Geographic subdivision |
United States |
| Form subdivision |
Biography. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Painting |
| Geographic subdivision |
United States. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
