Two and three dimensional calculus : with applications in science and engineering / Phil Dyke
By: Dyke, P. P. G.
Publisher: Hoboken, NJ : John Wiley & Sons, 2018ISBN: 9781633450325.Subject(s): Calculus of variationsDDC classification: 709.2 General note: Published to accompany the first US retrospective exhibition of Donald Judd’s sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate “real space,” by his definition. Judd surveys the evolution of the artist’s work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd’s achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture. Donald Judd (1928–94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
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Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 JUD 2018 (Browse shelf) | Available | 105616 |
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| 709.2 JOR 2009 Asger Jorn / | 709.2 JOR 2018 Lamia Joreige : | 709.2 JUD 2005 Donald Judd Complete writings 1959-1975 : | 709.2 JUD 2018 Two and three dimensional calculus : | 709.2 JUL 2001 Isaac Julien / | 709.2 JUN 2021 Behind the forest / | 709.2 JUR 2019 Aphasia / |
Published to accompany the first US retrospective exhibition of Donald Judd’s sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture.
Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate “real space,” by his definition. Judd surveys the evolution of the artist’s work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life.
This richly illustrated catalog takes a close look at Judd’s achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture.
Donald Judd (1928–94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.
Revision of one dimensional calculus -- Partial differentiation -- Maxima and minima -- Vector algebra -- Vector differentiation -- Grad div and curl -- Curvilinear co-ordinates -- Path integrals -- Multiple integrals -- Surface integrals -- Integral theorems -- Solutions and answers to exercises.
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