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As it were... so to speak : a museum collection in dialogue with Barbara Bloom.

By: Bloom, Barbara.
Publisher: New Haven, CT : New York, NY : Yale University Press ; The Jewish Museum, 2015Content type: still image ISBN: 9780300215731.Other title: Museum collection in dialogue with Barbara Bloom.Subject(s): Jewish Museum (New York, N.Y.) -- Exhibitions | Jewish Museum (New York, N.Y.) | Judaism in art -- Exhibitions | Material culture in art -- Exhibitions | Judaism in art | Material culture in art | Sanat -- Sergiler, Barbara BloomGenre/Form: Illustrated works | Exhibition catalogs. | Exhibition catalogs. | Illustrated works.DDC classification: 709.2 General note: This book has been published in conjunction with the exhibition of the same name, organized by the Jewish Museum, New York, March 5-August 4, 2013.General note: OyunBu sergisiyle bağlantılıdır = Related to ThisPlay exhibition
Contents:
Guests and hosts : invitation -- Doorways : eyes and dialogue -- Hidden cupboards : the unspeakable -- Piano : harmony/dissonance -- Drawers : traces -- Sitting room : time -- Window : synesthesia -- Library : reading/writing -- Bedroom : love -- Vanity table : luck -- Analyst's couch : circles of secrecy -- Dining table : toasts -- Mantel (reflected) : nested worlds -- Game table : parallel play -- Charity : forms of giving.
Summary: The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this beautiful artist's book, Bloom revisits her landmark 2013 solo exhibition at the Jewish Museum, New York. The book features images of the museum's galleries reconstructed as rooms in a fictive house; the music room, the boudoir, the analyst's office; formed of objects from the permanent collection. These staged spaces are intertwined with fragments of text and images drawn from intellectuals, artists, and authors, both historical and contemporary. Ranging from the charming (Torah pointers tipped with tiny hands, poised above a piano keyboard; silver spice containers shaped like peaches and pears) to the poignant (an empty, worn velvet case for a shofar horn; a Nazi playing card created from a defaced Torah), each object is infused with profound significance. Exhibition: Jewish Museum, NYC, USA (5.3.-4.8.2013).
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Catalogue Arter Kütüphanesi
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709.2 BLO 2015 (Browse shelf) Available 100536

This book has been published in conjunction with the exhibition of the same name, organized by the Jewish Museum, New York, March 5-August 4, 2013.

OyunBu sergisiyle bağlantılıdır = Related to ThisPlay exhibition

Guests and hosts : invitation -- Doorways : eyes and dialogue -- Hidden cupboards : the unspeakable -- Piano : harmony/dissonance -- Drawers : traces -- Sitting room : time -- Window : synesthesia -- Library : reading/writing -- Bedroom : love -- Vanity table : luck -- Analyst's couch : circles of secrecy -- Dining table : toasts -- Mantel (reflected) : nested worlds -- Game table : parallel play -- Charity : forms of giving.

The installations of the conceptual artist Barbara Bloom (b. 1951) have captivated audiences for decades. Since the 1970s, her work has consistently redefined the way in which viewers understand objects. Bloom siphons meaning from the things with which we surround ourselves, and crafts an experience that is at once personal and universal. In this beautiful artist's book, Bloom revisits her landmark 2013 solo exhibition at the Jewish Museum, New York. The book features images of the museum's galleries reconstructed as rooms in a fictive house; the music room, the boudoir, the analyst's office; formed of objects from the permanent collection. These staged spaces are intertwined with fragments of text and images drawn from intellectuals, artists, and authors, both historical and contemporary. Ranging from the charming (Torah pointers tipped with tiny hands, poised above a piano keyboard; silver spice containers shaped like peaches and pears) to the poignant (an empty, worn velvet case for a shofar horn; a Nazi playing card created from a defaced Torah), each object is infused with profound significance. Exhibition: Jewish Museum, NYC, USA (5.3.-4.8.2013).

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