The metabolic museum / Clementine Deliss
By: Deliss, Clementine
.
Publisher: Berlin : Hatje Cantz , 2020ISBN: 9783775747806.Subject(s): Museums -- Ethnological museums and collections -- Anthropological museums and collections -- Europe | Müzeler, Müzecilik -- Etnolojik müzeler ve koleksiyonlar -- Antropolojik müzeler ve koleksiyonlar -- AvrupaDDC classification: 069 DEL General note: For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.0Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations.
| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
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Books
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Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 069 DEL 2020 (Browse shelf) | Checked out | 06/03/2023 | 105782 |
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| 069 COP 2017 The anti-museum : | 069 CRO 2007 Museums and community : | 069 CUN 2011 Museums matter : | 069 DEL 2020 The metabolic museum / | 069 EIC 2016 Lives of museum junkies : | 069 ERT 2012 Müzebilimin ABC'si / | 069 GEN 2017 Museum administration 2.0 / |
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.0Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations.
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