Anna Boghiguian / Anna Boghiguian ; curated by Hoor Al Qasimi, Carolyn Christov-Bakargiev ; edited by Kathleen Butti, Ismail Al Rifai, Ziad Abdulla
Publisher: Sharjah : Sharjah Art Foundation , 2018Subject(s): Sanat, Sergiler, Sanatçılar -- Anna Boghiguian -- Mısır | Art, Exhibitions, Artists -- Anna Boghiguian -- EgyptDDC classification: 709.2 BOG General note: This exhibition booklet is a record of Sharjah Art Foundation’s retrospective exhibition of the work of Egyptian artist Anna Boghiguian, curated by Hoor Al Qasimi, Director of Sharjah Art Foundation. The exhibition presents her multimedia installations The Salt Traders (2015), A Play to Play (2013) (based on the works of the poet Tagore) and Unfinished Symphony (2011–2012); the drawing series A Poet on the Edge of History (Constantine Cavafy) (1995–2017); a large selection of illustrated notebooks (1981–present) and a recreation of the artist’s studio in Cairo. Characterised by bold colours and saturated compositions, Boghiguian’s paintings and sculptures combine materials like wax, wood and paint with cut-outs and collage. Her work also comprises photography, text, sound and site-specific installations that derive from her observations of social conflicts.Item type | Current location | Home library | Call number | Status | Date due | Barcode |
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Catalogue | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 BOG 2018 (Browse shelf) | Available | 106343 |
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709.2 BOE 2009 Alighiero & Beotti : | 709.2 BOE 2015 Die ungelösten Kausalnähte : | 709.2 BOE 2019 Marinus Boezem : | 709.2 BOG 2018 Anna Boghiguian / | 709.2 BÖH 2001 Claus Böhmler : | 709.2 BÖH 2021 Typogramme = Schreibmaschine / | 709.2 BOL 1994 Christian Boltanski / |
This exhibition booklet is a record of Sharjah Art Foundation’s retrospective exhibition of the work of Egyptian artist Anna Boghiguian, curated by Hoor Al Qasimi, Director of Sharjah Art Foundation. The exhibition presents her multimedia installations The Salt Traders (2015), A Play to Play (2013) (based on the works of the poet Tagore) and Unfinished Symphony (2011–2012); the drawing series A Poet on the Edge of History (Constantine Cavafy) (1995–2017); a large selection of illustrated notebooks (1981–present) and a recreation of the artist’s studio in Cairo. Characterised by bold colours and saturated compositions, Boghiguian’s paintings and sculptures combine materials like wax, wood and paint with cut-outs and collage. Her work also comprises photography, text, sound and site-specific installations that derive from her observations of social conflicts.