Ctrl / Miroslaw Balka ; texts by Lynne Cooke, Zbigniew Herbert, Georges Didi-Huberman
Publisher: Madrid : Museo Nacional Centro de Arte Reina Sofia , 2011ISBN: 9788480264433.Subject(s): Sanat, Sergiler, Sanatçılar -- Miroslaw Balka -- Polonya | Art, Exhibitions, Artists -- Miroslaw Balka -- PoloniaDDC classification: 709.2 BAL General note: Miroslaw Balka presents a double exhibition proposal, ctrl, reaching from the Abadía de Santo Domingo de Silos to the Museo Reina Sofía’s Sala de Bóvedas. At the Silos installation he invites the attendees to a passing ritual, situating the spectator in their place of agent and public when circling the monastery. For the complementary part of the project held at the Museum’s headquarters in Madrid, the Polish artist transforms the two brick-vaulted rooms located in the cellars, adding large format wardrobes, referring to the wardrobe the Frank family used in Amsterdam to hide from the Nazis, says Balka. Didi-Huberman’s essay echoes these analogies.General note: Museo Nacional Centro de Arte Reina Sofia tarafından bağışlanmıştır.Item type | Current location | Home library | Call number | Status | Date due | Barcode |
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Books | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 BAL 2011 (Browse shelf) | Available | 107817 |
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709.2 BAL 2007 John Baldessari : | 709.2 BAL 2009 John Baldessari : | 709.2 BAL 2010 Miroslaw Balka : | 709.2 BAL 2011 Ctrl / | 709.2 BAL 2017 Miroslaw Balka : | 709.2 BAL 2018 Miroslaw Balka : | 709.2 BAN 2010 Forever Föreign : |
Miroslaw Balka presents a double exhibition proposal, ctrl, reaching from the Abadía de Santo Domingo de Silos to the Museo Reina Sofía’s Sala de Bóvedas. At the Silos installation he invites the attendees to a passing ritual, situating the spectator in their place of agent and public when circling the monastery. For the complementary part of the project held at the Museum’s headquarters in Madrid, the Polish artist transforms the two brick-vaulted rooms located in the cellars, adding large format wardrobes, referring to the wardrobe the Frank family used in Amsterdam to hide from the Nazis, says Balka. Didi-Huberman’s essay echoes these analogies.
Museo Nacional Centro de Arte Reina Sofia tarafından bağışlanmıştır.