Bildgirl. collagen / Marlene Streeruwitz ; edited by Marius Babias
Publisher: Köln : Verlag der Buchhandlung Walther König , 2009ISBN: 9783865605733.Subject(s): Sanat, Sergiler, Sanatçılar -- Marlene Streeruwitz -- Medya ve kadın -- Almanya
| Art, Exhibitions, Artists -- Marlene Streeruwitz -- Media and woman -- GermanyDDC classification: 709.2 STR General note: Bildgirl. Collagen began as an artist contribution for the exhibition German Angst at the Neuer Berliner Kunsterverein (2008). Presented as a mural in the exhibition, the work now appears as a book. In an introductory essay and in the image-text collages, Streeruwitz analyzes the politics of the nudity in the “Bild-Zeitung” from a feminist perspective. She focuses on the ways in which the “Bildgirl” constructs the woman as a sexualized object for male consumption. Showing naked women in the media is, despite protests from the women’s rights movement of the 1968 sexual revolution, still posed as a question of free speech. Sexual freedom is reserved for men. Streeruwitz describes how the “Bildgirl” reaffirms threatened male German heterosexuality.
| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
| Catalogue | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 STR 2009 (Browse shelf) | Available | 108244 |
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| 709.2 STI 2007 Artist's books 1972-2006 / | 709.2 STI 2012 (.) / | 709.2 STO 2000 Jessica Stockholder : | 709.2 STR 2009 Bildgirl. collagen / | 709.2 SUD 2008 Mutterseelenalien / | 709.2 SUZ 1998 Akio Suzuki : "A" : sound works, throwing and following = Werfen und Folgen / | 709.2 SVA 2015 Das Universum des Jan Svankmajer |
Bildgirl. Collagen began as an artist contribution for the exhibition German Angst at the Neuer Berliner Kunsterverein (2008). Presented as a mural in the exhibition, the work now appears as a book. In an introductory essay and in the image-text collages, Streeruwitz analyzes the politics of the nudity in the “Bild-Zeitung” from a feminist perspective. She focuses on the ways in which the “Bildgirl” constructs the woman as a sexualized object for male consumption. Showing naked women in the media is, despite protests from the women’s rights movement of the 1968 sexual revolution, still posed as a question of free speech. Sexual freedom is reserved for men. Streeruwitz describes how the “Bildgirl” reaffirms threatened male German heterosexuality.
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