Die welt als bühne = The world as stage / Solvej Helweg Ovesen ; edited by Marius Babias
Publisher: Köln : Verlag der Buchhandlung Walther König , 2010ISBN: 9783865606457.Subject(s): Sanat, Sergiler, Sanatçılar -- Performans sanatı
| Art, Exhibitions, Artists -- Performance artDDC classification: 700 OVE General note: This essay explores the relationship between performance art and the performativity of every day life, the daily compulsion to act. Starting with contemporary artists like Tamy Ben-Tor, Carey Young, Jan Mančuška, Jan Northoff, and Claus Carstensen/Peter Bonde, performative schisms between artistic performance and everyday performance in relationships, art work, on the street, and in virtual everyday life are explored. How inspiring is performance art for everyday performance?
The book was published on the occasion of the exhibition The World as Stage.
| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
| Catalogue | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 700 OVE 2010 (Browse shelf) | Available | 108245 |
Browsing Arter Kütüphanesi Shelves , Shelving location: Arter Kütüphanesi Close shelf browser
| 700 ORI 2006 Oriental Metaphor / | 700 OTE 2018 Otelde Bir Gün = A Day at Hotel / | 700 OUT 2020 Out of order : | 700 OVE 2010 Die welt als bühne = The world as stage / | 700 OWE 1992 Beyond Recognition : | 700 ÖZG 2005 Sır-zaman = time-mystery : | 700 ÖZG 2010 Sanat ve Arzu Seminerleri 2010 / |
This essay explores the relationship between performance art and the performativity of every day life, the daily compulsion to act. Starting with contemporary artists like Tamy Ben-Tor, Carey Young, Jan Mančuška, Jan Northoff, and Claus Carstensen/Peter Bonde, performative schisms between artistic performance and everyday performance in relationships, art work, on the street, and in virtual everyday life are explored. How inspiring is performance art for everyday performance?
The book was published on the occasion of the exhibition The World as Stage.
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