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Monument for Historical Change and Other Social Sculptures Community Portraits and Spontaneous Operas 1990-2005 / Clegg & Guttmann

Publisher: Walther König General note: The present publication has two distinct aims. The first is to present in depth a single work of art: A Monument for Historical Change, an outdoor sculpture located in Berlin-Mitte which was completed in September 2004. The book is also a collection of writings by Clegg & Guttmann on public art from 1990 to 2005, the results of an effort to frame artistic praxis within a coherent and general theoretical vision of socially embedded art. The two aims are complementary. Monument for Historical Change is a prime example of the category of Social Sculptures. It is a culmination of earlier ideas about art which combines institutional arrangements, cultural forms and ideational constructs and uses them as building blocks. The Monument was also the beginning of a new direction. It is a work of art designed to function as a conduit to the historical layer of the urban environment. The essays, interviews and documents collected here provide Monument for Historical Change with the appropriate theoretical context and places it in a lineage of projects leading to it. A detailed chronology is provided of social sculptures, community portraits and spontaneous operas by Clegg & Guttmann from 1990 to 2005."
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Item type Current location Home library Call number Status Date due Barcode
Catalogue 5.ve 6.Kat
5. ve 6. Kat
Arter Kütüphanesi
ARS6 6 (Browse shelf) Available 300446

The present publication has two distinct aims. The first is to present in depth a single work of art: A Monument for Historical Change, an outdoor sculpture located in Berlin-Mitte which was completed in September 2004.
The book is also a collection of writings by Clegg & Guttmann on public art from 1990 to 2005, the results of an effort to frame artistic praxis within a coherent and general theoretical vision of socially embedded art.
The two aims are complementary.
Monument for Historical Change is a prime example of the category of Social Sculptures. It is a culmination of earlier ideas about art which combines institutional arrangements, cultural forms and ideational constructs and uses them as building blocks. The Monument was also the beginning of a new direction. It is a work of art designed to function as a conduit to the historical layer of the urban environment.
The essays, interviews and documents collected here provide Monument for Historical Change with the appropriate theoretical context and places it in a lineage of projects leading to it. A detailed chronology is provided of social sculptures, community portraits and spontaneous operas by Clegg & Guttmann from 1990 to 2005."

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