Heinz Mack : ZERO Malerei = ZERO painting : catalogue raisonné 1956-1968 / edited by Robert Fleck
By: Mack, Heinz.
Publisher: München : Düsseldorf : Hirmer ; Beck & Eggeling, International Fine Art, [2017]ISBN: 9783777428185; 3777428183.Subject(s): Mack, Heinz, 1931- -- Catalogues raisonnés | Zero (Group of artists) -- Catalogs | Painting, Abstract -- Germany -- CatalogsDDC classification: 709.2 Summary: "In 1956, unlike art informel, Mack developed his first Dynamic Structures - paintings in which in a singular manner a painting of light is contrasted with traditional colourism and structure replaces composition. He created new surfaces which appear to vibrate and which give the impression of three-dimensional reliefs by means of a use of colour which was increasingly reduced to black and white and grid-like structures. Despite the radical restriction of means no two paintings are alike. In its focus on the early works of the ZERO period, this volume provides an indispensable key to an understanding of Mack's work as a whole"--Publisher's website.Item type | Current location | Home library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Books | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 MAC 2017 (Browse shelf) | Available | 100157 |
Browsing Arter Kütüphanesi Shelves , Shelving location: Arter Kütüphanesi Close shelf browser
709.2 MAC 2015 Kalejdoskop : diagram of historical development of Fluxus and other 4 dimentional, aural, optic, olfactory, epithelial, and tactile art forms / | 709.2 MAC 2016 Tatiana Macedo : | 709.2 MAC 2016 Goshka Macuga: Time as Fabric | 709.2 MAC 2017 Heinz Mack : | 709.2 MAG 2016 Basim Magdy : | 709.2 MAG 2019 Everyone partied and no one cared : | 709.2 MAH - Inge Mahn : |
"In 1956, unlike art informel, Mack developed his first Dynamic Structures - paintings in which in a singular manner a painting of light is contrasted with traditional colourism and structure replaces composition. He created new surfaces which appear to vibrate and which give the impression of three-dimensional reliefs by means of a use of colour which was increasingly reduced to black and white and grid-like structures. Despite the radical restriction of means no two paintings are alike. In its focus on the early works of the ZERO period, this volume provides an indispensable key to an understanding of Mack's work as a whole"--Publisher's website.
Parallel texts in German and English.