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The narrative figuration : Fondation Gandur pour l'art / Edited by Jean-Paul Ameline in collaboration with Yan Schubert.

Publisher: Milan : 5 Continents, [2017]ISBN: 9788874397761.Subject(s): Narrative art (Art movement) -- History | Narrative art (Art movement) -- Catalogs | Figurative art -- 20th century -- CatalogsDDC classification: 708 Summary: "A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York pop art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque and Voss, to name a few."--publisher's description.
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Books Books Arter Kütüphanesi
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Arter Kütüphanesi
708 THE 2017 (Browse shelf) Available 102095
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708 THE 2011 Biennale : 3 : 708 THE 2012 The Harold Samuel Collection : 708 THE 2017 The art museum / 708 THE 2017 The narrative figuration : 708 ULM 2018 Ulma : 708 UNP 2008 Unpacking the collection : 708 VEN 2003 La Biennale di Venezia 2003 : Dutch Pavilion /

Includes bibliographical references (pages 316-333).

"A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York pop art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque and Voss, to name a few."--publisher's description.

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