Robert Ryman / Vittorio Colaizzi.
By: Colaizzi, Vittorio.
Publisher: London ; New York, New York : Phaidon Press, 2017Copyright date: ©2017ISBN: 9780714849348; 0714849340.Subject(s): Ryman, Robert, 1930-2019 -- Criticism and interpretation | Monochrome painting -- United States -- 20th century | Monochrome painting -- United States -- 21st century | Painting, American -- 20th century | Painting, American -- 21st centuryDDC classification: 709.2| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
Books
|
Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 RYM 2017 (Browse shelf) | Available | 100209 |
Browsing Arter Kütüphanesi Shelves , Shelving location: Arter Kütüphanesi Close shelf browser
| 709.2 RUT 2004 Reiner Ruthenbeck / | 709.2 RYM 2004 Robert Ryman: Works On Paper 1957-1964 | 709.2 RYM 2009 Robert Ryman : | 709.2 RYM 2017 Robert Ryman / | 709.2 SAA 2019 Saar : | 709.2 SAD 2021 Relearning bearing witness / | 709.2 SAI 2012 Michael Sailfoster : |
Includes bibliographical references (pages 332-339) and index.
Introduction: the seeing of painting -- A one-time thing -- Not exactly Expressionist -- Projecting a different experience -- Crazy paintings -- A picture of a line -- Getting the paint across -- The way it acts -- A question of what.
The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations. A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting -- abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter.
Click on an image to view it in the image viewer
