COLORS / MAUVE
Shelley Jackson
Disappointment and opportunity
A MINOR HISTORY OF / ODD SYMPATHY
Joshua Foer
All together now
INGESTION / MORE SHOES! MORE BOOTS! MORE GARLIC!
Jeffrey Kastner
Werner Herzog’s gastronomic bet
INVENTORY / WANTED AND UNWANTED AT THE ZOO
Clem Blakemore
I’ll trade you a freckled duck for a spiny terrapin
Main
HAUNTED MAZES
Joe Milutis
Inside the labyrinth
ARTIST PROJECT / TREE DRAWINGS
Tim Knowles
THE ONION
Implicasphere
Peeling back the layers
CYANEA ARCTICA
Louis Agassiz
Not unlike jelly
ORGANIZED WATER
Richard Sieburth
On Agassiz’s flowing prose
ON BEING THE RIGHT SIZE
J. B. S. Haldane
The scale of nature
TATLIN, OR, RUINOPHILIA
Svetlana Boym
The avant-garde and the off-modern
Bones
THE MUSEUM OF THE DEAD
Robert Harbison
Monochrome macabre
SACRED BONES
Mark C. Taylor
What remains
LIKE A HOLE IN THE HEAD
Christopher Turner
The trepanation-state
THE ANTI-NARCISSISTIC ORIGINS OF ART
Svetlana Boym
Athena and the music of bones
THE FATE OF HIS BONES
Colin Dickey
Sir Thomas Browne and the craniokleptic impulse
BONE PLAY
Eva Åhrén and Michael Sappol
The anatomist’s games
CONGENITAL HUMAN BACULUM DEFICIENCY
Scott F. Gilbert and Ziony Zevit
The generative bone of Genesis 2:21–23
A BURIED HISTORY OF PALEONTOLOGY
Brian Selznick and David Serlin
The remains of Waterhouse Hawkins
CUTTING THE WORLD AT ITS JOINTS: AN INTERVIEW WITH D. GRAHAM BURNETT
Sina Najafi and D. Graham Burnett
Comparative anatomy on trial
ARTIST PROJECT / CHARACTER STUDY
Michael Paulus
UNNATURAL SELECTION: AN INTERVIEW WITH THE NATIONAL FISH AND WILDLIFE FORENSICS LABORATORY
Colby Chamberlain
Crime and punishment in the animal kingdom
MARKING TIME
Daniel Rosenberg
Alexander Marshack and ossified time
OS INNOMINATUM
Thomas Zummer
The self between the skin
And
POSTCARD / BONE-SETTING MANNEQUIN
BOOKMARK / BONE TOWER
Eugene von Bruenchenhein