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Dorothea Lange : Migrant mother / Sarah Hermanson Meister.

By: Meister, Sarah Hermanson.
Publisher: New York : The Museum of Modern Art, [2018]ISBN: 9781633450660.Subject(s): Lange, Dorothea. Migrant mother | Lange, Dorothea -- Criticism and interpretation | Lange, Dorothea, 1895-1965 | Lange, Dorothea, 1895-1965 -- Critique et interprétation | Lange, Dorothea | Museum of Modern Art (New York, N.Y.) -- Photograph collections | Museum of Modern Art (New York, N.Y.) | 1929 | Documentary photography | Portrait photography | Depressions -- 1929 -- United States -- Pictorial works | Photographie documentaire -- États-Unis -- Histoire -- 20e siècle | Portraits (Photographie) -- États-Unis -- Histoire -- 20e siècle | Crises économiques -- 1929 -- États-Unis -- Ouvrages illustrés | Depressions | Documentary photography | Photograph collections | Photography | Portrait photography | New York (State) -- New York | United StatesGenre/Form: Criticism, interpretation, etc. | Pictorial works.DDC classification: 709.2 General note: "Each volume in the One on One series is a sustained meditaion on a single work from the collection of The Museum of Modern Art"--Front cover, inside flap.Summary: The US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including "Migrant Mother." Curator Sarah Meister's essay provides a fresh context for this iconic work.
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709.2 LAN 2018 (Browse shelf) Available 103853

"Each volume in the One on One series is a sustained meditaion on a single work from the collection of The Museum of Modern Art"--Front cover, inside flap.

Includes bibliographical references (page 46).

The US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including "Migrant Mother." Curator Sarah Meister's essay provides a fresh context for this iconic work.

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