Sèvres at the Turn of the Century: Power, Attraction and Creation : TEFAF 2016 / Jason Jacques Gallery Press
Publisher: USA : Jason Jacques Gallery Press , 2017ISBN: 9780978837174.Subject(s): Koleksiyonlar -- Saray müze
DDC classification: 708 General note: Adrien Dalpayrat (1844-1910) began his career as a faïence painter, working at six manufactories between 1867 and 1888 before settling near Paris in 1889. There he devoted himself to stoneware, a material then held in high esteem by French art potters. Working alone and with collaborators, Dalpayrat produced a vast range of shapes and decorations. He was so well known for his oxblood flambé pottery that the term "Dalpayrat red" was coined to designate his distinctive glaze. Perfected in 1892, it is dappled or veined with greens, blues and yellows, and appears on pieces in the form of gourds, fruits, and shapes derived from Japanese bottles. The catalogue features a biography by Paul Arthur and an essay by Etienne Tornier, as well as 118 full color pages that showcase the 46 piece collection exhibited at TEFAF 2016.
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Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 708 SER 2017 (Browse shelf) | Available | 105121 |
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| 708 SEM 2014 Ghosts, spies, and grandmothers : | 708 ŞEN 2023 Yüzler ve gizler = Faces and mysteries : | 708 SER 2016 Sèvres at the Turn of the Century: Power, Attraction and Creation : | 708 SER 2017 Sèvres at the Turn of the Century: Power, Attraction and Creation : | 708 SHA 2011 Sharjah Biennial 10 : | 708 SHA 2015 Sharjah Biennial 12 : | 708 SHA 2019 14th Sharjah Biennial : |
Adrien Dalpayrat (1844-1910) began his career as a faïence painter, working at six manufactories between 1867 and 1888 before settling near Paris in 1889. There he devoted himself to stoneware, a material then held in high esteem by French art potters. Working alone and with collaborators, Dalpayrat produced a vast range of shapes and decorations. He was so well known for his oxblood flambé pottery that the term "Dalpayrat red" was coined to designate his distinctive glaze. Perfected in 1892, it is dappled or veined with greens, blues and yellows, and appears on pieces in the form of gourds, fruits, and shapes derived from Japanese bottles. The catalogue features a biography by Paul Arthur and an essay by Etienne Tornier, as well as 118 full color pages that showcase the 46 piece collection exhibited at TEFAF 2016.
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