Horror vacui / Morten Lobner Espersen
By: Espersen, Morten Lobner
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Publisher: Hojbjerg, Rodovre : Foreningen, Forlaget Sohn, 2012ISBN: 9788772459776.Subject(s): Sanat -- Sanatçı, SeramikDDC classification: 709.2 General note: Horror Vacui is a collection of new works by the internationally acclaimed ceramic artist Morten Løbner Espersen. It is also the title of his 2012 solo exhibition at Trapholt Art Museum – a monumental presentation creating a dialogue between four series of works: vessels, cylinders, glazed clay tablets and drawings.Horror vacui – the fear of empty space – was originally the name of a style of a classical Greek vase from around 1000 B.C. with intricate decorations covering its entire surface. Morten Løbner Espersen's new series, inspired by the forms of antiquity, marks a shift from the strict geometry that has previously characterised his works. Here his dramatic glazes are met with an expressive answer from the clay.
| Item type | Current location | Home library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
| Catalogue | Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 709.2 ESP 2012 (Browse shelf) | Available | 105134 |
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| 709.2 ERN 1977 Bücher und grafiken / | 709.2 ERN 2018 Max Ernst : | 709.2 ESP 2002 Bruna Esposito / | 709.2 ESP 2012 Horror vacui / | 709.2 ETT 2021 Bracha's notebooks / | 709.2 EVA 2010 Cerith Wyn Evans : | 709.2 EXP 2020 Valie Export : |
Horror Vacui is a collection of new works by the internationally acclaimed ceramic artist Morten Løbner Espersen. It is also the title of his 2012 solo exhibition at Trapholt Art Museum – a monumental presentation creating a dialogue between four series of works: vessels, cylinders, glazed clay tablets and drawings.Horror vacui – the fear of empty space – was originally the name of a style of a classical Greek vase from around 1000 B.C. with intricate decorations covering its entire surface. Morten Løbner Espersen's new series, inspired by the forms of antiquity, marks a shift from the strict geometry that has previously characterised his works. Here his dramatic glazes are met with an expressive answer from the clay.
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