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Music at the heart of thinking. Improvisations 1-170 / Fred Wah.

By: Wah, Fred.
Publisher: Vancouver : Talonbooks, 2020Subject(s): Edebiyat -- Şiir | MüzikGenre/Form: Poetry.DDC classification: 811 General note: The music of thinking. The thinking of music. Music at the Heart of Thinking is a poetry that works through language as the true practice of thought and improvisation as the tool that listens to and notates thinking. From jazz, the unpredictable ad lib driving itself from itself. From a drunken Shaolin monk, the poem as imbalanced tai chi. From Keats’s negative capability, the half-closed eye, the estrangement of language. All intended to bump beyond the end of the word into focus. As a response to readings in contemporary texts, art, and ideas. Music at the Heart of Thinking relocates critical language and thinking to the poetic bavardage at the heart of such endeavours. The poetics that generates these texts arises out of a lifelong poem project that has its roots in the long poem genre of the ’80s and its interest in the resistance to closure and the containment of meaning characteristic of the lyric. This book continues the work of two previous out-of-print publications, Music at the Heart of Thinking (1987) and Alley, Alley Home Free (1990). The poems are generated as textual responses in the reading, looking, and listening of the poet’s attention to his cultural milieu. Thus the writing addresses contemporary texts and art over the past forty years. Within this poetry of estrangement lie possible coherences for some sense of writing as a notation for thinking as feeling. The difficulty of this writing is literal and intentional, wary of any attempt to make thinking simple, easy, or predictable.General note: AAP 2020-2021Summary: "The music of thinking. The thinking of music. Music at the Heart of Thinking is a lifelong poem project that responds to readings in contemporary writing, art, and ideas from over the past forty years. From jazz, it takes the unpredictable ad lib driving itself from itself. From a drunken Shaolin monk, the poem as imbal- anced tai chi. From Keats’s negative capability, the half-closed eye, the estrange- ment of language. Continuing the work of two now-out-of-print publications, Music at the Heart of Thinking (1987) and Alley, Alley Home Free (1990), this ex- panded and ongoing Music at the Heart of Thinking relocates critical language and thinking to the poetic bavardage at the heart of such endeavours. Within this poetry of estrangement lie possible coherences for some sense of writing as a notation for thinking as feeling."-- Provided by publisher.
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The music of thinking. The thinking of music. Music at the Heart of Thinking is a poetry that works through language as the true practice of thought and improvisation as the tool that listens to and notates thinking. From jazz, the unpredictable ad lib driving itself from itself. From a drunken Shaolin monk, the poem as imbalanced tai chi. From Keats’s negative capability, the half-closed eye, the estrangement of language. All intended to bump beyond the end of the word into focus. As a response to readings in contemporary texts, art, and ideas. Music at the Heart of Thinking relocates critical language and thinking to the poetic bavardage at the heart of such endeavours. The poetics that generates these texts arises out of a lifelong poem project that has its roots in the long poem genre of the ’80s and its interest in the resistance to closure and the containment of meaning characteristic of the lyric. This book continues the work of two previous out-of-print publications, Music at the Heart of Thinking (1987) and Alley, Alley Home Free (1990). The poems are generated as textual responses in the reading, looking, and listening of the poet’s attention to his cultural milieu. Thus the writing addresses contemporary texts and art over the past forty years. Within this poetry of estrangement lie possible coherences for some sense of writing as a notation for thinking as feeling. The difficulty of this writing is literal and intentional, wary of any attempt to make thinking simple, easy, or predictable.

AAP 2020-2021

"The music of thinking. The thinking of music. Music at the Heart of Thinking is a lifelong poem project that responds to readings in contemporary writing, art, and ideas from over the past forty years. From jazz, it takes the unpredictable ad lib driving itself from itself. From a drunken Shaolin monk, the poem as imbal- anced tai chi. From Keats’s negative capability, the half-closed eye, the estrange- ment of language. Continuing the work of two now-out-of-print publications, Music at the Heart of Thinking (1987) and Alley, Alley Home Free (1990), this ex- panded and ongoing Music at the Heart of Thinking relocates critical language and thinking to the poetic bavardage at the heart of such endeavours. Within this poetry of estrangement lie possible coherences for some sense of writing as a notation for thinking as feeling."-- Provided by publisher.

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