Normal view MARC view ISBD view

The off-modern / Svetlana Boym

By: Boym, Svetlana.
Publisher: New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2017ISBN: 9781501328978.Subject(s): Modernism (Aesthetics) | Art, Modern -- 20th century -- Philosophy | Art, Modern -- 21st century -- Philosophy | SOCIAL SCIENCE / Media Studies | PHILOSOPHY / History & Surveys / Modern | PHOTOGRAPHY / Techniques / Digital (see also COMPUTERS / Digital Media / Photography)DDC classification: 700.9 General note: Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.General note: AAP 2020-2021
Contents:
Machine generated contents note: -- Introduction (Tamar Abramov, Koc University, Turkey; Giuliana Bruno, Harvard University, USA; David Damrosch, Harvard University, USA) -- 1. History Out-of-Sync -- 2. Cultural Exaptation -- 3. Human Error -- 4. Nostalgic Technologies -- 5. Digital Resident Aliens -- 6. Edgy Geography -- 7. Archive of Pentimenti -- 8. Perspectivism -- 9. Prospective Nostalgia -- 10. Ruinophilia -- 11. Off-Modern Urbanism -- 12. Embarrassing Monumentality -- 13. Tact and Touch -- 14. Diasporic Intimacy -- 15. Immigrant Arts -- 14. Alternative Solidarities and Feminine Friendships -- 17. Estrangement for the World -- 18. Defamiliarized Human -- 19. Squiggles, Spirals, and Serpentine Dances -- 20. The Off-Modern Museum -- 21. Hypertextual Design and Essayistic Drift -- 22. On Off -- Practices -- Unforeseen Homecoming -- Phantasmagorias of History -- Turning the Page on the Avant-Garde -- Hybrid Utopias -- Global Transits and Portable Homes -- Postindustrial Art Nouveau: Tirana Arabesques 2010 -- Multitasking with Clouds -- Airport Ruins -- Hydrant Immigrants -- Not Working -- Black Mirrors -- Notes.
Summary: "The Off-Modern charts a fresh path beyond the categories of modernism and postmodernism, center and periphery, artistic theory and practice"-- Provided by publisher.
Tags from this library: No tags from this library for this title.
    average rating: 0.0 (0 votes)
Item type Current location Home library Call number Status Date due Barcode
Books Books 5.ve 6.Kat
5. ve 6. Kat
Arter Kütüphanesi
ARS5 28 (Browse shelf) Available 301939

Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.

AAP 2020-2021

Machine generated contents note: -- Introduction (Tamar Abramov, Koc University, Turkey; Giuliana Bruno, Harvard University, USA; David Damrosch, Harvard University, USA) -- 1. History Out-of-Sync -- 2. Cultural Exaptation -- 3. Human Error -- 4. Nostalgic Technologies -- 5. Digital Resident Aliens -- 6. Edgy Geography -- 7. Archive of Pentimenti -- 8. Perspectivism -- 9. Prospective Nostalgia -- 10. Ruinophilia -- 11. Off-Modern Urbanism -- 12. Embarrassing Monumentality -- 13. Tact and Touch -- 14. Diasporic Intimacy -- 15. Immigrant Arts -- 14. Alternative Solidarities and Feminine Friendships -- 17. Estrangement for the World -- 18. Defamiliarized Human -- 19. Squiggles, Spirals, and Serpentine Dances -- 20. The Off-Modern Museum -- 21. Hypertextual Design and Essayistic Drift -- 22. On Off -- Practices -- Unforeseen Homecoming -- Phantasmagorias of History -- Turning the Page on the Avant-Garde -- Hybrid Utopias -- Global Transits and Portable Homes -- Postindustrial Art Nouveau: Tirana Arabesques 2010 -- Multitasking with Clouds -- Airport Ruins -- Hydrant Immigrants -- Not Working -- Black Mirrors -- Notes.

"The Off-Modern charts a fresh path beyond the categories of modernism and postmodernism, center and periphery, artistic theory and practice"-- Provided by publisher.

Click on an image to view it in the image viewer

This software was installed and implemented by Devinim Software Training Consulting using Koha.