Nets / Jen Bervin.
By: Bervin, Jen.
Publisher: Brooklyn, N.Y. : Ugly Duckling Presse, 2004ISBN: 9780972768436.Other title: Sonnets of William Shakespeare [Other title].Subject(s): Shakespeare, William, 1564-1616 -- Adaptations | Edebiyat -- Şiir -- Amerika
DDC classification: 811 General note: The texts of Shakespeare's 150 sonnets have been "stripped ... bare ... to make the space of the poems open, porous, possible ..."--Working note. The full text of Shakespeare is printed in light gray type, with the author's selected words printed in darker type. The title is derived in this manner from the word Sonnets.General note: "Jen Bervin has reimagined Shakespeare as our true contemporary. Her little poems sing" Paul Auster. In NETS, poet and artist Jen Bervin strips Shakespeare's sonnets "bare to the nets," chiseling away at the familiar lines to reveal surprising new poems, while pointing obliquely at the unavoidably intertextual ground of writing. Using visual compositional strategies as effectively as verbal ones, Bervin allows the discarded text to remain on the page as a ghostly presence, while she highlights the marginal line-numbers that allude to the sonnets' canonization."
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Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 811 BER 2004 (Browse shelf) | Available | 105324 |
The texts of Shakespeare's 150 sonnets have been "stripped ... bare ... to make the space of the poems open, porous, possible ..."--Working note. The full text of Shakespeare is printed in light gray type, with the author's selected words printed in darker type. The title is derived in this manner from the word Sonnets.
"Jen Bervin has reimagined Shakespeare as our true contemporary. Her little poems sing" Paul Auster. In NETS, poet and artist Jen Bervin strips Shakespeare's sonnets "bare to the nets," chiseling away at the familiar lines to reveal surprising new poems, while pointing obliquely at the unavoidably intertextual ground of writing. Using visual compositional strategies as effectively as verbal ones, Bervin allows the discarded text to remain on the page as a ghostly presence, while she highlights the marginal line-numbers that allude to the sonnets' canonization."
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