Digital fiction and the unnatural : transmedial narrative theory, method, and analysis / Astrid Ensslin, Alice Bell
Publisher: Columbus : Ohio State University Press, 2021ISBN: 9780814214565.Subject(s): Tarih -- Eleştiri
DDC classification: 808.3 General note: Digital Fiction and the Unnatural: Transmedial Narrative Theory, Method, and Analysis offers the first comprehensive and systematic theoretical, methodological, and analytical examination of unnatural narratology as a medium-specific and transmedial phenomenon. It applies and adapts key concepts of narrative theory and analysis to digital-born fictions ranging from hypertext and interactive fiction to 3D-narrative video games, app fiction, and virtual reality. The book addresses the unique affordances of digital fiction by focusing on multilinearity and narrative contradiction, interactional metalepsis, impossible time and space, “extreme” digital narration, and medium-specific forms of textual “you.” In so doing, the book refines, critiques, and expands unnatural, cognitive, and transmedial narratology by placing the form of these new narratives front and center.
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Arter Kütüphanesi Arter Kütüphanesi | Arter Kütüphanesi | 808.3 ENS 2021 (Browse shelf) | Available | 105458 |
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| 808.2 BEC 2019 Quad ve diğer televizyon oyunları, Bitik / | 808.3 BAR 2010 The preparation of the novel : | 808.3 ECO 2004 Six walks in the fictional woods / | 808.3 ENS 2021 Digital fiction and the unnatural : | 808.3 KAY 2019 Aramızdaki Ağaç | 808.3 NEL 2019 Argonautlar / | 808.4 BAR 1977 Image, music, text / |
Digital Fiction and the Unnatural: Transmedial Narrative Theory, Method, and Analysis offers the first comprehensive and systematic theoretical, methodological, and analytical examination of unnatural narratology as a medium-specific and transmedial phenomenon. It applies and adapts key concepts of narrative theory and analysis to digital-born fictions ranging from hypertext and interactive fiction to 3D-narrative video games, app fiction, and virtual reality. The book addresses the unique affordances of digital fiction by focusing on multilinearity and narrative contradiction, interactional metalepsis, impossible time and space, “extreme” digital narration, and medium-specific forms of textual “you.” In so doing, the book refines, critiques, and expands unnatural, cognitive, and transmedial narratology by placing the form of these new narratives front and center.
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