Search with limit(s): 'location:1 or location:4 or location:5 su-to:Art, Modern or location:1 or location:4 or location:5'

Bakmak görmek bir de bilmek :

By Kahraman, Hasan Bülent. İstanbul : Kapı Yayınları , 2015 , ...Bugünse hayatı meydana getiren her şey sanatın özünü oluşturuyor. Toplumsal ve bireysel tavırlar, siyaset, tarih, aklınıza gelebilecek her türden kavram, sanatın özü. Üstelik yapıtın sadece resim ve heykel olması gerekmiyor. Sanat bugün bir eylem. Yerleştirmelerle, performanslarla, hatta odasına kapanmış, kimsenin görmediği işleri yapanlarla, internet üstünde dahi gerçekleştirilenlerle oluşan bir edim sanat. ...Kültür doğal olandan uzaklaşır. Uzaklaştırır. Bu uzaklaşma, yaratıcılığın kendisine duyduğu özgüvendir. Sanat, kültürün en ileri noktasıdır, en uç noktası. Sanat beni her zaman büyüledi ve tüm hayatımı estetiğin içinden yaşadım. Kuramsız bir estetikse düşünülemez. O da bana göre doğanın çıplaklığı kadar çıplaktır ve bir başka tür doğallıktır. Güzellik, doğal olanda ve çıplak gözde değil, donanımlı bir bilinçte, görmekte ve bilmekte teşekkül eder. ‘Çirkini sevme yetisi’ bile kültürle edinilebilecek bir yetidir. Haşan Bülent Kahraman, Türkiye’de ‘güncel sanat dünyası'na katkıları olan kurucu bir figür. Çağdaş sanatın birçok alanında çalıştıktan sonra şimdi ‘Çağdaş sanatı anlamalı mı?' sorusuyla ortaya çıkıyor. Çağdaş sanat nedir, ne zaman ve nasıl anlaşılır, modern sanatla nerede buluşur ve ayrışır, onu anlamak demek kendimizi ve içinde yaşadığımız günü de anlamak demek midir? Bakmak Görmek Bir De Bilmek'le bu sorulara yanıt aranıyor. Çay kaşığının anlamı nedir, yumurtasız omlet nasıl yapılır, çirkini sevme yetisi var mıdır, parayla saadet olur mu sorduğu ve cevapladığı sorular arasında. Kısacası, sergiler, galeriler, müzeler, bienaller, fuarlar konusunda bir hayatta kalma kılavuzu olan bu kitap, tüm bunlarla ilgili derin ipuçları içeren ve zevkle okunan bir çalışma. 9786055147051

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Sanatsal gerçeklikler, olgular ve öteleri... /

By Kahraman, Hasan Bülent. İstanbul : Kapı Yayınları , 2016 , Sanatsal Gerçeklikler, Olgular ve Öteleri, 20 yıl sonra dördüncü baskısıyla okurun karşısında. Bu tür yazıların hiç yok denecek kadar az olduğu bir dönemde sanat felsefesinin çok önemli konularını ele alıp irdeleyen bu kitap uzun yıllar okundu, değerlendirildi, ufuk açtı. Aradan geçen dönemde Türkiye'deki sanatın yönü değişti. Güncel sanat olanca hızıyla galerilerde ve müzelerde gelişirken, Sanatsal Gerçeklikler, Olgular ve Öteleri de yeni bir baskıya ulaştı. Sanat tarihimiz açısından bu başlı başına bir gösterge. Türkiye'nin tanımadığı bir yaklaşımla üretilmiş bu kitaptaki önemli, kapsamlı, analitik yazılar şimdi daha geniş bir birikimle değerlendirilebilecek. Artık sanatın kuramdan bağımsız olmadığı bir gerçek. Kuramı bilmeden sanatı kavramanın büsbütün olanaksızlaştığı bir dönemde bu kitap, bu olanağı gerek kapsam gerekse yöntem olarak sunuyor. 20 yıl sonra daha da önemli Sanatsal Gerçeklikler, Olgular ve Öteleri... 9786055147587

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Çağdaş sanatın öyküsü /

By Godfrey, Tony. İstanbul : Hayalperest Yayınevi , 2023 , Çağdaş sanat yalnızca merak uyandırma etkisine değil, kafa karıştırma gücüne de sahip. Bu şey de nesi? Ne anlama geliyor? Gerçekten sanat mı bu? Neden bu kadar yüksek fiyata satılıyor? Bu konuda sayısız kitap var ama bunlar okuyucuya pek bir şey öğrenmediğini, partizanca görüşlerin kavranamayan dili nedeniyle de dışlandığını ya da bunaldığını hissettirmekten öteye geçemiyor. Tony Godfrey’in capcanlı üslubuyla dünyanın birçok farklı köşesine uzanan kitabı, 1980 yılından günümüze çağdaş sanatın tarihine ilişkin zengin görseller içeriyor ve temel bir rehber niteliği taşıyor. Godfrey çağdaş sanatın öyküsünün çatısını sanatın ne olduğu ya da ne olması gerektiğine dair krizler, çatışmalar ve tartışmalar silsilesi olarak kurarken, bu büyüleyici konuya samimi ve anlaşılır bir giriş sunarak çağımızın bazı kritik meselelerine de değiniyor. 9786258253276

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Metrics of modernity :

By Smith, Sarah-Neel. California : University of California Press , 2022 , In this vivid portrait of the art world of 1950s Turkey, Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development. After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period. Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury. 9780520383418

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Duchamp's telegram :

By Duve, Thierry de. London : Reaktion Books , 2023 , A reading of Duchamp’s ‘telegram’ to the art world, a urinal signed R. Mutt. In 1917, Marcel Duchamp sent out a 'telegram' in the guise of a urinal signed R. Mutt. When it arrived at its destination a good forty years later it was both celebrated and vilified as proclaiming that anything could be art; from that point on, the whole Western art world reconfigured itself as 'post-Duchamp'. This book offers a reading of Duchamp's telegram that sheds new light on its first reception, corrects some historical mistakes and reveals that Duchamp's urinal in fact heralded the demise of the fine arts system and the advent of what Thierry de Duve calls the 'Art-in-General' system. Further, the author shows that this new system does not date from the 1960s but rather from the 1880s. Duchamp was neither its author nor its agent, but rather its brilliant messenger. 9781789146981

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Post-peripheral flux :

By Madra, Beral. İstanbul : Literatür Yayınları , 1996 , Acritical narration, of and a background to contemporary art developments in Istanbul since 1986. Focusing on the first and second Istanbul Biennale, on the 44th and 45th Venice Biennale, and on a series of international exhibitions curated by the author, Post Peripheral Flux considers such issues as East-West dichotomy, identity-difference and post-modernist globalisation. Divides into two parts- 'The Theory' and 'The Practice' - this is a fascinating book that will surely serve to stimulate artistic debate. | Zeynep Rona tarafından bağışlanmıştır. 9757860697

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Place. labour. capital. /

Singapore : NTU Centre for Contemporary Art Singapore , 2018 , The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital. Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions. | NTU Centre for Contemporary Art Singapore tarafından bağışlanmıştır. 9789811138430

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"Le capital" /

İstanbul : Dirimart , 2002 , Bu katalog, 7 Mart - 5 Nisan 2002 tarihleri arasında Dirimart'ta düzenlenen Yüksel Arslan sergisi için hazırlanmıştır. | Zeynep Rona tarafından bağışlanmıştır.

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Artists' magazines :

By Allen, Gwen. London : The MIT Press , 2011 , During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965--1971), a multimedia magazine in a box -- issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium. 9780262015196

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Into the night :

Münich : Prestel , 2019 , Catalogue of an exhibition held at the Barbican Art Gallery, London, 4 October 2019 - 19 January 2020; and Belvedere, Vienna, 14 February - 1 June 2020. | This book explores the role of cabarets, clubs, and cafés in modern art. These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms. Spanning the decades from the 1880s to the 1960s, this unique and multi-faceted illustrated history of alternative artistic spaces covers four continents and includes both famed and little-known sites of the avant-garde. Organized by city, it features painting, drawing, photography, sculpture, film, and archival material emanating from over a dozen cabarets, clubs, and bars that were home to the likes of Henri de Toulouse-Lautrec, Loie Fuller, Josef Hoffmann, Giacomo Balla, Sophie Taeuber-Arp, Theo Van Doesburg, Jeanne Mammen, Jacob Lawrence, Ramon Alva de la Canal, and Ibrahim El-Salahi. It includes photographs of the interiors of the Chat Noir in Paris, the Cafe L'Aubette in Strasbourg and the Mbari Club in Nigeria; a cocktail menu from the Cabaret Fledermaus in Vienna; a 1930s night club map of Harlem; posters and invitations advertising performances at the Cabaret Voltaire in Zurich and Mexico City's Cafe de Nadie; and countless artworks that emerged from these spaces conveying the energy and excitement of the time. A series of enlightening essays explore how each space fostered and stimulated new forms of artistic expression. | Belvedere tarafından bağışlanmıştır. 9783791358888

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Yüksel Arslan :

İstanbul : Yapı Kredi Yayınları , 2016 , Yüksel'in görüleri karmaşık bir bilinçaltı dünyasını yansıtıyor. Görülmedik yaratıklar ortaya çıkmış. Organları eksik. Kemikleri ve kasları et bağlamamış. Bunlar, dökülmekte olan insan kalıntıları mı, yoksa sanatçının düşüncesinde üreyen yeni bir insan türünün ilk örnekleri mi, anlaşılmıyor. -M. Ş. İpşiroğlu- Maviler kalkıyor yerini soluk renklere, toprak renklerine bırakıyordu. Bilinçaltının olasılıklarını belirtiyordu, bütün iğrençlikleri, özgürlüğü ve somut örnekleriyle. Belki herkes gibi kendi bunalımını da sergiliyordu bu yapıtlarında, olağanüstü ve saygıdeğer bir güçle... -O. Duru- Niçin doğayı soyutlamak da İnsan düşüncesini somutlamak değil? -F. Edgü- Onun "resmi" (peinture), bir "resim karşıtı"dır (anti-peinture). Bu ayrıca, sanatın insandan ayrı ve onun karşısına dikilen bir gerçek olmasına, yani "sanat içinde yabancılaşmaya" karşı çıkmaktır; insan kişiliğinin ve hür varlığının temel bir şart olarak ileri sürülüşüdür. -S. Hilav- Demek, kendime, küçük, toplumdışı, yıkıcı, anarşist, insansala karşı, arturique, patafizik, psychiaRtrique!, Nietzscheci, vs, bir yaşantı seçmiştim. -Y. Arslan- | Locus Solus sergisiyle bağlantılıdır = Related to Locus Solus exhibition 9789750836183

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Modernizm kavramı ve Türkiyeʼde modernist sanatın doğuşu /

By Artun, Ali. İstanbul : İletişim Yayınları , 2021 , “Estetik modernizm” zamanımızda sanat tarihlerinin en kilit kavramı. Modernizmi, Batılılaşmayı izleyerek Avrupa merkezlerinden çevre kültürlere doğru yayılan yekpare bir estetik ve bir tarih olarak gören Batı-merkezli bütüncül anlatılar çoktandır parçalandı. Farklı farklı toplumlarda modernist sanatın doğuş sürecini izleyen çoğul modernizm tarihleri çıktı ortaya. Böylece Asya’dan, Afrika’dan, Latin Amerika’dan değişik kültürlerin, Batı’nın kolonyal tarih dogmalarına saplanmadan kendi sanatlarının yaratıcılığını keşfettiği müthiş bir birikim aydınlığa kavuştu. Türkiye’de Modernist Sanatın Doğuşu, “estetik modernizm” kavramına ve post-kolonyal çağdaş tarihyazımına değindikten sonra bu birikime bir pencere açıyor. Sonra da Türkiye’deki kalıplaşmış sanat tarihi anlatısını irdeleyerek, modernist kırılma ve sanatın özerkleşme sürecini esas alan çağdaş bir tarih tezi geliştiriyor. “Günümüzde geçerli olan tüm sanat, modernizmle ilgisi üzerinden kendini tanımlıyor.” Peter Bürger (1984) 9789750530463

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Starter :

İstanbul : Arter Yayınları, 2010 , Sesli Dizi, Dinleyen Gözler İçin = For Eyes That Listen | Hasar/Tedbir | Çağdaş Sanatta Müzik ve Ses Semineri – Rana Gediz İren | Published in conjunction with an exhibition held at Arter, May 8-Sept. 19, 2010. | Asma katta Bahane kitapları arasında yer almaktadır. 9789756959367

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This may or may not be a true story or a lesson in resistance /

Amsterdam : Stichting de Appel , 2020 , This may or may not be a true story or a lesson in resistance is the Final Outcome of de Appel’s Curatorial Programme 2019/2020. Due to the restrictions surrounding COVID-19, the CP participants Thomas Butler, Sharmyn Cruz Rivera, Juan Fernando López, Iris Ferrer, Danai Giannoglou and Naz Kocadere reimagined the project as an ‘exhibition in print’. This Final Outcome is the culmination of a year-long journey and collaboration that began at de Appel in September 2019. Initially plans were made for a physical exhibition. However, the outbreak of COVID-19 and the various waves of lockdown measurements, necessitated a reexamination of the format in which this project could be presented. Building upon the long deliberations that had already developed before the start of the pandemic, the participants reimagined the exhibition as a limited-edition publication, suited to epitomize the subversive spirit of the project and embody the practices of the contributing artists. The concept they started with in 2019 is informed by the work of the late American conceptual artist Allan Sekula, and his photo series School Is a Factory (1979/80). In his signature style, Sekula pairs narrative texts with stark, black and white photographs of students and workers. He thereby lays bare the ways in which education, labour, leisure, and culture are perpetually commodified and classed by an unrelenting system of exploitation and profit. Galvanized by this work, the CP participants set out to think about the tools of resistance for opposing and challenging dominant knowledge systems: what lessons in resistance can art teach us, if any at all? Abandoning the working methods associated with traditional exhibition making, the CP participants chose to continue working with the artists who they had already engaged with for the initially planned physical exhibition. They asked them to create or adapt an existing artwork for the limited edition multiple of five hundred copies. These artists are Simon Browne, Danilo Correale, Jason Dodge, nibia pastrana santiago and Dilek Winchester. Each artist has created a work that can be taken out of the publication container in which it is delivered and activated in whichever way the recipient chooses. Together with these works, the container features a book of curatorial essays, written by the CP participants, and a photo series by Buck Ellison. Lastly, they were kindly permitted by the Sekula archive in Los Angeles to reproduce Allan Sekula’s original photo work, which is also included in this exhibition in print. All of this was brought to life in collaboration with Athens-based design studio and printer Bend and G. Kostopoulos Printing House S.A. | Publication consists of nine objects in varying formats -- including books, posters, and cards -- issued in cardboard box. Yayın, karton kutu içerisinde yer alan kitaplar, posterler ve kartlar dahil olmak üzere çeşitli formlarda dokuz parçadan oluşmaktadır. | de Appel Amsterdam tarafından bağışlanmıştır. 9789073501850

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Yarına notlar = Notes for tomorrow /

İstanbul : Pera Müzesi , 2022 , Bu katalog 23 Kasım 2021-6 Mart 2022 tarihleri arasında Suna ve İnan Kıraç Vakfı Pera Müzesi’nde gerçekleşen “Yarına Notlar” sergisi kapsamında yayınlanmıştır. | Pera Müzesi tarafından bağışlanmıştır. 9786054642991

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Art and its worlds :

London : Afterall , 2021 , Art and its Worlds offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the 'global' for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come. 9783960989172

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Berlinde de Bruyckere :

By Bruyckere, Berlinde de,. 9789756959589

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Haset, husumet, rezalet = Envy, enmity, embarrassment :

Istanbul : Arter Yayınları, 2013 , Published to accompany the exhibition held at ARTER, Istanbul, Jan. 24-Apr. 7, 2013. 9789756959640 | 9756959649

Place Hold on Haset, husumet, rezalet = Envy, enmity, embarrassment :

Nevin Aladağ :

By Aladağ, Nevin. İstanbul : Arter Yayınları, 2012 9789756959572

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İkinci sergi =

Beyoğlu, İstanbul : Arter Yayınları, 2011 , "This book accompanies "Second Exhibition" realised at ARTER between 28 November 2010-27 February 2011 ..."--Vol. 1, t.p. verso. | Hasar/Tedbir 9789756959442 (v 2)

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Görme biçimleri =

, Catalog of an exhibition at Arter, 2 June through 13 August 2017. | Texts by Sam Bardaouil & Till Fellrath, Mary Acton, and Stephanie Moser. 9786059606066

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Şener Özmen :

By Özmen, Şener. 9789756959992

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Nil Yalter :

, Sergi kitapları arasındadır. 9786059606028

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Bilge Friedlaender :

9786059606035

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Haset, husumet, rezalet = Envy, enmity, embarrassment :

Istanbul : Arter Yayınları, 2013 , Published to accompany the exhibition held at ARTER, Istanbul, Jan. 24-Apr. 7, 2013. 9789756959657

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Bahar Yürükoğlu :

By Yürükoğlu, Bahar. 9789756959985

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Murat Akagündüz :

9789756959978

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Starter :

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Ali Mahmut Demirel :

, Box includes an exhibition catalog (79 pages) and 30 postcards. 9786059606134

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Jake & Dinos Chapman :

9786059606042

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Canan :

, Catalogue of an exhibition at ARTER, 12 September through 24 December 2017. | Texts by Nazlı Gürlek, Kathy Battista, Tuğba Taş and Derya Yücel. 9786059606080

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Her düşenin kanadı yoktur = not all that falls has wings /

9786059606011

Place Hold on Her düşenin kanadı yoktur = not all that falls has wings /

Michael Heizer :

By Fox, William L.,. , Michael Heizer is among the greatest, and often least accessible, American artists. As one of the last living figures who launched the Land Art movement, his legacy of works that are literally and metaphorically monumental has an incalculable influence on the world of sculpture and environmental art. But his seclusion in the remote Nevada desert, as well as his notorious obduracy, have resulted in significant gaps in our critical understanding. Michael Heizer: The Once and Future Monuments spans the breadth of Heizer's career, uniquely combining fieldwork, personal narrative, and biographical research to create the first major assessment in years of this titan of American art. Author William L. Fox, founding director of the Center for Art + Environment at the Nevada Museum of Art, has alternately been a sponsor, advocate, and critic of Heizer's work for decades. Fox's understanding of the artist's history and connection to landscape, his time spent with Heizer at the remote ranch where Heizer is finishing his magnum opus--the mile-long sculpture City--and his access to some of Heizer's key associates give him a unique position from which to discuss the artist's work. Fox has also made numerous site visits to Heizer's work--including early pieces in the Nevada desert now largely lost to the elements--to correct the often inconsistent accounts of their locations. Last, Fox imparts a crucial new understanding of Heizer's work by elaborating on the artist's bond with his father, the famed archaeologist and cultural ecologist Robert Heizer, who enlisted his son on important digs in Mexico and Peru, providing the young man with an appreciation of site, landscape, and geology that would thoroughly inform his work. Michael Heizer: The Once and Future Monuments is a long overdue addition to the critical and biographical literature of this major figure in American art. 9781580935203 | 1580935206

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Art and death /

By Townsend, Chris.. , Başak Doğa Temür tarafından bağışlanmıştır. 9781845116637

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Organize ihtilaf = Organized conflict /

İstanbul : Proje 4L - İstanbul Güncel Sanat Müzesi , 2003 , Sanatçılar = Artists: Haluk Akakçe, Sami Baydar, Lukas Duwenhögger, Leyla Gediz, Gün, Yalçın Karayağız, Aydan Murtezaoğlu, Bülent Şangar, Füsun Onur, Kemal Önsoy, Murat Şahinler, Canan Tolon, Elif Uras, Ufuk Üsterman. | Başak Doğa Temür tarafından bağışlanmıştır. 9759230119

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Yüksel Arslan retrospektifi = A retrospective of Yüksel Arslan :

İstanbul : Santral İstanbul , 2009 , metinler = texts by: Yüksel Arslan, Adnan Berk, Orhan Duru, Ferit Edgü, Sabahattin Eyüboğlu, Mazhar Şevket İpşiroğlu, Selahattin Hilav, Necmi Sönmez, Sezer Tansuğ, Roland Topar, Jackues Vallet, Levent Yılmaz. çevirenler = translated by: Nazım Dikbaş, Roland Glasser, Richard Hamer, Yelda Kündem, Esra Özdoğan, Linda Stark, Mine Şengel, Orçun Türkay, Suna Yıldızoğlu, Levent Yılmaz. | Başak Doğa Temür tarafından bağışlanmıştır. | Locus Solus sergisiyle bağlantılıdır = Related to Locus Solus exhibition | Koyun Koyuna sergisiyle bağlantılıdır = Related to Rounded by Sleep exhibition | "Farz Et ki Sen Yoksun" sergisiyle bağlantılıdır = Related to "Suppose You Are Not" exhibition 9786058937819

Place Hold on Yüksel Arslan retrospektifi = A retrospective of Yüksel Arslan :

Ars Aevi collection 1992-2006 :

Sarajevo : International Project Ars Aevi , 2006 , Başak Doğa Temür tarafından bağışlanmıştır. 18401546

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Sensation :

London : | New York : Thames and Hudson , | Royal Academy of Arts , 1998 , Sensation is the first definitive survey of work by the younger generation of British artists that has captivated the international art world with its vitality and inventiveness. As a constant and prodigious collector and patron of young British artists, Charles Saatchi has been unique in his commitment to British art as it is now being produced. His support extends far beyond those such as Damien Hirst and Rachel Whiteread, whose work has acquired wide notoriety, to dozens of others at the cutting edge of the current art scene. Sensation features the work of forty-two of the most exciting and radical artists working in Britain today. Many of them--such as Jenny Saville, Rachel Whiteread, or Jake & Dinos Chapman--are already internationally acclaimed; others are destined to be. The book's original and penetrating essays include the critical context of their work and trace the phenomenon of the British art scene since "Freeze," the 1988 exhibition that is now recognized as a defining moment in the story of British art. Cutting through tabloid headlines, controversial press coverage, and art-world debate, Sensation reveals the achievements of young British artists and the role played by courageous and imaginative patronage. | Başak Doğa Temür tarafından bağışlanmıştır. 9780500280423

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The end of art /

By Kuspit, Donald B.. Cambridge : Cambridge University Press , 2005 , In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by ‘postart’, a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the New Old Masters. The End of Art points the way to the future for the visual arts. | Başak Doğa Temür tarafından bağışlanmıştır. 9780521832526 | 0521832527 | 9780521540162

Place Hold on The end of art /

Fureya /

İstanbul : MASA , 2017 , "Fureya", 18.11.2017 - 18.01.2018, Akaretler Sıraevler. 9786059194334

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Fluxus means change :

, Throughout the 1960s, Jean and Leonard Brown used their radical tastes, prescient instincts, and friendships with artists to assemble an extensive archive of Dada and Surrealist publications and prints—including works by Marcel Duchamp, Man Ray, and Tristan Tzara. After Leonard’s death in 1970, Jean’s attention turned to Fluxus and other contemporary genres. Jean also established a site of alternative art production at her Shaker Seed House in Tyringham, Massachusetts, where she invited artists to engage with her collections. Fluxus works embraced the social and political critiques of earlier avant-garde artists and questioned the authority of the increasingly powerful contemporary art world of critics, collectors, curators, and gallerists. This examination of artists and their antiestablishment demands for change shows how their art was created, performed, exhibited, and collected in new ways that intentionally challenged traditional modes. By providing an expanded understanding of avant-garde and Fluxus artists through the lens of the Jean Brown Archive at the Getty Research Institute, this volume demonstrates the profound influence these artists had on contemporary art. This volume is published to accompany a future exhibition at the Getty Research Institute at the Getty Center. 9781606066621

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Kurt Schwitters Merz art /

By Schulz, Isabel,. 9783777434469

Place Hold on Kurt Schwitters Merz art /

Aesthetics and contemporary art /

Berlin : Sternberg Press, 2011 , Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms--and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as "sensate thinking"; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld. The essays originate in talks given on the occasion of an international conference on "Aesthetics and Contemporary Art" (2008), organized by the Centre for Research in Modern European Philosophy (CRMEP), Middlesex University, London, in cooperation with the Collaborative Research Centre "Aesthetic Experience and the Dissolution of Artistic Limits" (SfB 626), Free University Berlin. | "Şakir Gökçebağ: Göründüğü Gibi" sergisiyle bağlantılıdır = Related to "Şakir Gökçebağ: As It Seems" exhibition 9781934105528 (pbk.) | 193410552X (pbk.)

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Nevin Aladağ :

By Aladağ, Nevin. İstanbul : Arter Yayınları, 2012 , OyunBu sergisiyle bağlantılıdır = Related to ThisPlay exhibition 9789756959572

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İkinci sergi = Second exhibition 1/2 /

İstanbul : Arter Yayınları, 2011 , "This book accompanies "Second Exhibition" realised at ARTER between 28 November 2010-27 February 2011 ..."--Vol. 1, t.p. verso. 9789756959411

Place Hold on İkinci sergi = Second exhibition 1/2 /

İkinci sergi =

Beyoğlu, İstanbul : Arter Yayınları, 2011 , "This book accompanies "Second Exhibition" realised at ARTER between 28 November 2010-27 February 2011 ..."--Vol. 1, t.p. verso. | Asma katta Bahane kitapları arasında yer almaktadır. 9789756959442 (v 2)

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Berlinde de Bruyckere :

By Bruyckere, Berlinde de,. , Asma katta Bahane kitapları arasında yer almaktadır. 9789756959589

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Haset, husumet, rezalet = Envy, enmity, embarrassment :

Istanbul : Arter Yayınları, 2013 , Published to accompany the exhibition held at ARTER, Istanbul, Jan. 24-Apr. 7, 2013. 9789756959640 | 9756959649

Place Hold on Haset, husumet, rezalet = Envy, enmity, embarrassment :

Haset, husumet, rezalet = Envy, enmity, embarrassment :

Istanbul : Arter Yayınları, 2013 , Published to accompany the exhibition held at ARTER, Istanbul, Jan. 24-Apr. 7, 2013. 9789756959657

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Kurt Schwitters :

By Luke, Megan R.,. , German artist Kurt Schwitters (1887-1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters' experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters' aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today. 9780226085180

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