The off-modern / Svetlana Boym
By: Boym, Svetlana.
Publisher: New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2017ISBN: 9781501328978.Subject(s): Modernism (Aesthetics) | Art, Modern -- 20th century -- Philosophy | Art, Modern -- 21st century -- Philosophy | SOCIAL SCIENCE / Media Studies | PHILOSOPHY / History & Surveys / Modern | PHOTOGRAPHY / Techniques / Digital (see also COMPUTERS / Digital Media / Photography)DDC classification: 700.9 General note: Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.General note: AAP 2020-2021Item type | Current location | Home library | Call number | Status | Date due | Barcode |
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Books | 5.ve 6.Kat 5. ve 6. Kat | Arter Kütüphanesi | ARS5 28 (Browse shelf) | Available | 301939 |
Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.
AAP 2020-2021
Machine generated contents note: -- Introduction (Tamar Abramov, Koc University, Turkey; Giuliana Bruno, Harvard University, USA; David Damrosch, Harvard University, USA) -- 1. History Out-of-Sync -- 2. Cultural Exaptation -- 3. Human Error -- 4. Nostalgic Technologies -- 5. Digital Resident Aliens -- 6. Edgy Geography -- 7. Archive of Pentimenti -- 8. Perspectivism -- 9. Prospective Nostalgia -- 10. Ruinophilia -- 11. Off-Modern Urbanism -- 12. Embarrassing Monumentality -- 13. Tact and Touch -- 14. Diasporic Intimacy -- 15. Immigrant Arts -- 14. Alternative Solidarities and Feminine Friendships -- 17. Estrangement for the World -- 18. Defamiliarized Human -- 19. Squiggles, Spirals, and Serpentine Dances -- 20. The Off-Modern Museum -- 21. Hypertextual Design and Essayistic Drift -- 22. On Off -- Practices -- Unforeseen Homecoming -- Phantasmagorias of History -- Turning the Page on the Avant-Garde -- Hybrid Utopias -- Global Transits and Portable Homes -- Postindustrial Art Nouveau: Tirana Arabesques 2010 -- Multitasking with Clouds -- Airport Ruins -- Hydrant Immigrants -- Not Working -- Black Mirrors -- Notes.
"The Off-Modern charts a fresh path beyond the categories of modernism and postmodernism, center and periphery, artistic theory and practice"-- Provided by publisher.