000 | 01811cam a22002537i 4500 | ||
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001 | 17651583 | ||
003 | OSt | ||
005 | 20200918084552.0 | ||
008 | 130308s2013 enka bc 001 0deng d | ||
020 | _a9780500093764 | ||
020 | _a0500093768 | ||
040 |
_aNGA _beng _cNGA _erda _dNDD _dIXA _dVGM _dCUI _dAKR _dIUL _dJHE _dERASA _dBDX _dUKMGB _dYDXCP _dTOH _dNLGGC _dZCU _dOCLCF _dDLC |
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082 | 0 | 4 |
_a709.2 _bKEN 2013 |
100 | 1 | _aKentridge, William, | |
245 | 1 | 0 |
_aWilliam Kentridge : _bFortuna / _cedited by Lilian Tone ; with commentaries by William Kentridge ; texts by Lilian Tone and Kate McCrickard. |
264 | 1 |
_aLondon : _bThames & Hudson, _c2013. |
|
505 | 0 | _aWilliam Kentridge's present continuous / Lilian Tone -- Works / William Kentridge -- William Kentridge: a reanimated artist / Kate McCrickard -- "What I learned at supper" / William Kentridge -- Chronology -- Public collections. | |
520 | 8 | _aThis is the most complete monograph yet published on the internationally acclaimed South African artist William Kentridge. Bringing together nearly two hundred of his works made between 1989 and the present day, the book explores Kentridges work across a wide range of media, including film, video, sculpture, design, drawing and printmaking. Two essays discuss the development of Kentridges art and his unique creative process, and a large body of Kentridges own writings help to illuminate the origins of and inspiration behind his work, including the idea of fortuna, Kentridges description of his practice as one governed by neither programme nor chance in the making of images. | |
600 | 1 | 0 |
_aKentridge, William, _d1955- _vCatalogs. |
600 | 1 | 4 |
_aKentridge, William, _d1955- |
600 | 1 | 7 |
_aKentridge, William, _d1955- _2fast _0(OCoLC)fst00417078 |
655 | 7 |
_aCatalogs. _2fast _0(OCoLC)fst01423692 |
|
942 |
_2ddc _cBK |