000 | 01225cam a2200229 i 4500 | ||
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999 |
_c63 _d63 |
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001 | 17208044 | ||
003 | OSt | ||
005 | 20191218054543.0 | ||
008 | 120313s2012 nyua b 001 0 eng | ||
020 | _a9781844676903 | ||
040 |
_aDLC _beng _cDLC _erda _dDLC |
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042 | _apcc | ||
082 | 0 | 0 |
_a709.04 _bBIS 2012 |
100 | 1 | _aBishop, Claire. | |
245 | 1 | 0 |
_aArtificial hells : _bparticipatory art and the politics of spectatorship / _cClaire Bishop. |
260 |
_aLondon ; _aNew York : _bVerso Books, _c2012. |
||
504 | _aIncludes bibliographical references (pages 287-363) and index. | ||
505 | 0 | _aThe social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation. | |
650 | 0 | _aInteractive art. | |
942 |
_2ddc _cBK |