000			01666pam a2200205 i 4500
999			_c9709 _d9709
001			017554626
003			Uk
005			20210107054931.0
008			150904s2015 gw a |0|0|0|eng|d
020			_z9783775740562
040			_aStDuBDS _beng _cStDuBDS _dUk _erda
082	0	4	_a709.2 _bSCH 2015
100	1		_aSchnabel, Julian,
245	1	0	_aC.V.J. : _bnicknames of maitre d's & other excerpts from life / _cJulian Schnabel ; editor, Petra Giloy-Hirtz
264		1	_aOstfildern, Germany : _bHatje Cantz, _c[2015]
500			_aAt thirty-six, Julian Schnabel was not only represented in the most important exhibitions of his time; retrospectives of his works were already being celebrated in major museums such as the Stedelijk Museum, the Tate in London, or the Centre Pompidou in Paris. He writes this book, CVJ, and gives an account of his life: how he leaves Texas in 1973 to return to his hometown of New York City, hangs out in Max s Kansas City, meets Sigmar Polke, Blinky Palermo, Ross Bleckner, and numerous other people in the scene, and even travels to Europe to study the Old Masters experiences and observations that are both poetic and amusing to read. And at the same time it is fascinating to see the oeuvre he had produced up to that point: the Plate Paintings with their splintered surfaces, paintings in oil and wax, on velvet and tarpaulins, with dirt and cracks and objets trouvés that project into space, drawings, and sculptures. What is striking is their influence on younger generations of artists and on the current debate on painting.
650		0	_aArtists _zUnited States _vBiography.
650		0	_aPainting _zUnited States.
942			_2ddc _cBK